Posted on: Sunday, January 29, 2012
by cal
I confess: in agonizing over end-of-year pieces, the idea of greatness does enter into the equation, as opposed to just what I liked or listened to most this year. Yes, it’s all subjective anyway, but it gets tiresome listening to music critics year after year mock their contemporaries for trying to make a statement beyond “I enjoyed this”, as if he or she is the first unpretentious writer to take that tack. The designation of Album Of The Year ought to carry weight, whether you’re The Academy or some guy on Facebook; it shouldn’t just be the most-tallied record on your
last.fm chart. And maybe I only say that because I know I’m going to be listening to several of these albums a lot in the coming months and years yet, and I know my appreciation for them will change so much that using “like” as the basis for a list makes it pointlessly transitory, possibly even inherently invalid, whereas considering greatness, trying (if in vain) to hypothesize an album’s impact, or even what I think its impact should be, makes the exercise more meaningful.
Then again, judging by the declining market value of music reviews that exceed 140 characters, perhaps this is an exercise in vanity only. Either way, regardless of greatness, my whole point is to get anybody who reads this to check out one or more of these albums that he or she hasn’t heard before, or look at them in a new light and revisit them. So here’s what I really liked an awful lot in 2011.
Posted on: Friday, December 23, 2011
by cal
If I have any perennial list-readers here, most of them probably sighed preemptively as they imagined what would top my list this year, and they’re all correct:
U2 (really impossible to choose between the two shows I saw),
Phish (
night one at UIC being the best of the seven),
Secret Chiefs 3 at the Empty Bottle,
Animal Collective at Pitchfork, and
Paul McCartney at Wrigley Field. Oops, ya got me: I have favorite bands. I know music critics aren't supposed to reveal those, but there's no sense keeping it a secret. But rather than blather on about them yet again, it’s probably more productive for me to mention the top ten non-my-favorite-band shows of the year. So here goes. (To keep it interesting, I’m going to gloss over other obvious big names (
Wilco,
Pearl Jam,
Primus,
STS9), since they’ve all been covered plenty.)
Posted on: Thursday, April 21, 2011
by cal
As I like to keep saying over and over again, we Milwaukeeans have it good. Not only do we still HAVE record stores, we actually have this Wisconsin chain with some real pull in terms of distribution. So while the
little little guys across the country get practically shut out of
Record Store Day,
The Exclusive Company managed to score a lot of great limited releases for the holiday. I lined up right as the store opened and still managed to snag everything I was hoping to find. Yesterday I sat down for an old-fashioned licorice pizza party with all the new goodies; read on for my impressions.
Posted on: Wednesday, March 9, 2011
by cal
Now that festivals are big business again, even the hippies have gone hipster, and every year is a PR race to announce the most diverse and crowd-pleasing lineup. The sense of community is all but gone now from the major three-day parties, and the pioneering spirit that created
Bonnaroo is nowhere to be found. This is already causing a decline in festival attendance and the cancellation of several formerly big names (
10,000 Lakes and
Rothbury spring to mind). Still, for the music lover with eclectic tastes, there is an incredible bounty to be had. Events succeed because with the demise of making records as a career, more and more bands are learning that they must be able to draw crowds playing live if they ever want to quit their day jobs. Thus, while the big festivals may be on the verge of going dormant again, we concert-goers win by packing as much music as possible into the bulk ticket price. But which ones are worth the hassle that IS festival life? Just in case you’re still mulling things over for this year, here’s a handy guide.
Posted on: Thursday, January 20, 2011
by cal
This is the way it’s got to be for now. If you read this blog with any regularity you’re probably sick of getting
Phished to death anyway, but no other band puts on as good a show these days. So I’ll skip writing about seven of the eight Phish shows I went to in 2010 (but for anyone interested,
10/16 was the best show I saw in 2010) and point out some of the other amazing nights of the year. In narrowing down this list, it became clear that 2010 has to be my new best year ever; some truly mind-blowing shows didn’t even make the cut.
Posted on: Wednesday, December 29, 2010
by cal
Yes, there was a lot of good music produced in 2010 outside of Milwaukee too; not much in the way of rock and roll, but we'll hold down the fort here in the Brew City while the rest of the world takes care of the dreampop and chillwave and experimental electronica. I’m so sick of deciding whether or not to harp on the tidal wave of 80s retro I could puke. But if you dig post-punk and synthpop, 2010 has been a second golden age, despite how derivative it may be (cue the everything’s-a-rerun-since-
The-Beatles choir). It really has been a terrific year for music (particularly for the
4AD label, holy crap), and there are buttloads of really good albums that I won't even mention here, but everything on this list is essential listening front to back.
Posted on: Wednesday, December 15, 2010
by cal
After a 2009 lull, the Brew City stormed back this year with an astounding array of incredible records. I decided I couldn’t extricate myself from my hometown bias, because I would put Milwaukee’s top ten records up against the rest of the world’s top ten without hesitation this year. Credit local überproducer Shane Hochstetler in large part: he produced or co-produced six of the albums on this list and many more at his Howl Street Recordings, the new Midwestern music Mecca. And wouldn't you know it? His next door neighbor at Mystery Room Mastering and Recording, Justin Carl Perkins, had a hand in at least four of 'em as well. And with the onslaught of online free/pay-what-you-want downloads (thanks, Radiohead!!), y’all have no excuse for not checking out at least half of this music (note: if the album title contains a link, it should take you to a download page).
As the consumer paradigm continues to shift away from albums, the line between LP and EP is beginning to blur, so I’m lumping them all together here. A cohesive and moving collection of five tunes can be just as powerful a statement as an hour-long treatise, and it’s kind of the year of the EP in Milwaukee anyway. And with the rest of the world going all 80s retro this year, MKE seems to be taking its cues from much further back in time (warning: three different Buddy Holly mentions. Unavoidable), but making sounds uniquely modern. This is one of those lists where I feel bad for all the records that aren’t number one, ‘cause they’re all so damn good. Enjoy.
Posted on: Friday, October 1, 2010
by cal
This year has all kinds of potential to be a banner one for music, but sometimes it feels like we’re stuck in the 60s, when artists would craft one really good song and then cobble together nine filler tracks to finish album. Big deal: albums were like fifty cents back then, and they’re basically free nowadays, right? Okay, but for those of us who actually go to the record store and take a gamble, it can get frustrating. Time to make a mixtape and try to sell these at the second-hand store.
Posted on: Friday, July 9, 2010
by cal
The Big Gig is a messy, crowded hodgepodge of good and bad music, but this year’s experience has shown that it isn’t just the biggest; it’s also potentially one of the best, as long as you can ignore the elitist cynics who bitch about drunk people and music below their nose level. No other festival will give you Thievery Corporation, STS9, Umphrey’s McGee, Yes and Rush in the span of a week, and despite the lack of free-wristband lawn seats at the Marcus Amphitheater, you could’ve seen all of these artists and oodles more for under 20 bucks a day. It got exhausting at times, what with the getting up early on weekdays, but this year may have been my favorite overall Summerfest ever.
Posted on: Monday, June 21, 2010
by cal
Despite the general lameness of Summerfest’s big headliners (with one or two exceptions per year), the smaller stages in 2010 are looking hotter than any year in recent memory, especially considering the wealth of local talent spread all over the grounds. When in doubt, sit at the Cascio Interstate Music Groove Stage (CIMGS) and marvel at all the amazing Milwaukee music you never realized was here. There’s something worth fifteen bucks every single day this year, and usually multiple quality acts (and don’t forget, you can get in for eight bucks on weekdays between noon and four!).
Posted on: Sunday, June 20, 2010
by youphoric
Rivalling even Rothbury 2008, our first trip to Wakarusa this year was everything we had hoped for, and much more. I've tried to pull together some hazy memories and recordings I could find of some of our favorite sets and happenings at this wonderful festival. Read on!
Posted on: Thursday, April 15, 2010
by cal
I think I heard more new music in 2009 than any year ever, and between
show reviews and lists and life, there are a few albums that have been
sort of stewing in my brain for months. So, I’m opening up the fridge,
poking around and deciding finally what’s edible and what’s garbage.
Featuring quick reviews of
Pearl Jam,
Brett Dennen,
Orba
Squara,
Them Crooked Vultures and more.
Posted on: Thursday, April 15, 2010
by cal
No: singling out twenty or so albums as the pinnacle moments from a
decade is totally not absurd at all. I based these lists on a nebulous
calculation of awesomeness times influence, but since I can’t control
the listening habits of the world, sometimes pure awesomeness was
enough. The stickler in me really wanted a nice round number for each
list, but I came to the decision that only 36 albums really stack up as
potential all-time classics for me. If you’re still craving more
music-snob sarcasm after reading these lists, feel free to point out any
oversights…
Posted on: Wednesday, April 14, 2010
by cal
It was kind of a shaky year in most respects, but musically, the 00s
went out with a bang. Few (if any) records from ’08 will hold their
value as long as the best of ’09. A lot of huge debuts this year bode
well for a bright decade to come as well. Before we dive headfirst into
it, let's take another look back at 2009. (note: album links should
take you to some actual music)
Posted on: Wednesday, April 14, 2010
by cal
I don’t think I’ve ever experienced a better year of live music than
2009. 2001 and 2003 were pretty much neck and neck before, but they
were both missing one key ingredient: a revitalized Phish. I wish I
could’ve squeezed Radiohead in there somehow, but aside from that, it
was as if all my favorite live acts conspired to keep my mind blown for
most of the year. And since most (if not all) of them will be touring
again in the coming months, ’09 may not even hold the crown for long…but
we’ll see. My rule for this list, as always, is only one show per
artist; otherwise, there might have only been three bands on it.
(note: links in
the headings are to my original reviews of these shows, where possible)