• Four Days And Seven Nights In Illinois

    Posted 6/2/2013 by cal
    At some point in the future, Honest Tune might get around to publishing my review of Summer Camp.  If not, I don't really care.  It's a load of crap that required only slightly more energy as the staff at Honest Tune put into helping me set it up, and it's not like it was going to garner me any pay.  But I couldn't leave it at that, so here's what actually happened during my end-of-May marathon seven-of-eight consecutive nights of live music in Illinois. Read more... Comments (0)
  • Phish: UIC Pavilion, 8/17/11

    Posted 8/22/2011 by cal

    UIC Pavilion is one venue that Phish has only played sporadically but each time will go down as legendary.  It has the dubious honor of hosting the first known glowstick war in the fall of 1994, but musically, the most talked-about highlight (at least, prior to 2011) was probably the beastly “AC/DC Bag”>”Ghost” from November of 1998.  “AC/DC” has remained firmly IN the bag since Phish returned in 2009, and the specter of a big “Ghost” loomed large over this final night of tour, so in a sense, even though everything after Monday night was essentially gravy, hopes were exceedingly high for some sort of further madness to keep the scene abuzz for two weeks until the quasi-festival in Denver and during the long wait for more Phish in 2012.

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  • Phish: UIC Pavilion, 8/16/11

    Posted 8/22/2011 by cal

    With the bar set impossibly high the night before, Phish came out on night two with a trio of tunes that just happened to be exactly the kind of opening I dream about.  I don’t know what it is about “Dinner And A Movie”; it has always just been the most hilariously sinister song in the repertoire, and the little part of me that still cared about the novelty of hearing Phish play short bursts of geek-satisfying awesomeness that I thought I might never hear was suddenly and permanently satisfied when I heard Trey scruff his strings with a taste of that opening chord.  Same kind of excitement, though not as ecstatic, for “Ha Ha Ha”.  And then another tune that’s finally back in the saddle this year, “Chalk Dust Torture”, screechingly intense guitar picking by yer man Trey.  Absurdly, this beginning was my favorite part of the show.

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  • Phish: UIC Pavilion, 8/15/11

    Posted 8/19/2011 by cal
    Phish tends to open runs in Chicago with statements.  Last summer it was the barn-burner “Down With Disease” at Toyota Park to begin the tour, at a time when everyone complained that first shows of tours were always rusty and dull.  Fun fact: the band took three days just prior to that show to rehearse in a dingy shed known as the UIC Pavilion.  This year, Chicago ended the tour, but once again fans knew from the opening jaunt of “Back On The Train” on the first of three nights back at UIC that Phish meant business. Read more... Comments (0)
  • Scattered Trees: SYMPATHY

    Posted 5/24/2011 by cal
    Chicago’s Scattered Trees started up years ago, splintered apart and then reconvened to record Sympathy, a dedication to the memory of frontman Nate Eiesland’s father, whose death inspired Eiesland to write this collection of songs.  Listeners will have no trouble picking up on the mournful pathos and occasional bitterness that permeate the record; even the songs that don’t directly address mortality evoke a feeling of loss, making for a cohesive album that’s not as depressing as it could justifiably have been. Read more... Comments (0)
  • The You-Phoria Guide To Festivals, 2011

    Posted 3/9/2011 by cal
    Now that festivals are big business again, even the hippies have gone hipster, and every year is a PR race to announce the most diverse and crowd-pleasing lineup.  The sense of community is all but gone now from the major three-day parties, and the pioneering spirit that created Bonnaroo is nowhere to be found.  This is already causing a decline in festival attendance and the cancellation of several formerly big names (10,000 Lakes and Rothbury spring to mind).  Still, for the music lover with eclectic tastes, there is an incredible bounty to be had.  Events succeed because with the demise of making records as a career, more and more bands are learning that they must be able to draw crowds playing live if they ever want to quit their day jobs.  Thus, while the big festivals may be on the verge of going dormant again, we concert-goers win by packing as much music as possible into the bulk ticket price.  But which ones are worth the hassle that IS festival life?  Just in case you’re still mulling things over for this year, here’s a handy guide.
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  • Trey Anastasio Band: Riviera Theatre, 2-27-11

    Posted 3/2/2011 by cal

    And the cries rang out: “MORE JAMS!”  Not just on Phish tour any more; now Trey Anastasio’s solo project elicits the same pleas from his legions of fans.  So when he started trotting out an hour of solo acoustic, mostly Phish tunes for the first set of his 2011 tour, many fans called it a snoozefest.  Most might’ve been satiated if only the electric, full-band portion of the show featured more lengthy excursions à la TAB tours of old, when a 45-minute “Night Speaks To A Woman” was always on the table.  Silly me, I left my stopwatch in my other pants and managed to have a fantastic time at The Riv Sunday night, despite the suffocating heat in the balcony.

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  • Smith Westerns: DYE IT BLONDE

    Posted 3/1/2011 by cal
    After you listen to enough music in a lifetime, the best you can hope for is a new band that reminds you of a bunch of your favorite old bands; exceptions are rare.  You might go through a phase where nothing sounds fresh any more, but once you top that mountain you’re free to enjoy bands like Chicago's Smith Westerns without regard for what came before, because the songs are just that good. Read more... Comments (0)
  • Primus: Congress Theatre, 10.02.10

    Posted 10/4/2010 by cal
    Another Chicago show, another mile-long line to get into the venue, and staff who give you wrong information about where you need to go (added bonus: it‘s raining).  I guess Wisconsin promoters are just universally better staffed and organized, or just actually give a shit about the fans.  My excitement about the show NOT being at the Aragon was pretty much unfounded, but the Oddity Faire cheered me up once I got inside, courtesy of the Chicago League of Lady Arm Wrestlers (CLLAW, duh).  Then, Portugal. The Man (Dumbest inside-joke punctuation usage in a band name ever?  Other contenders besides moe.?) came out and rocked the house like The Mars Volta with enhanced shoegaze properties and the opening sequence of “Heart Of The Sunrise” as its go-to jam template.  Prog tooth satisfied, ready for Primus 4.0.* Read more... Comments (0)
  • Trey at the Riviera, 2.19.10

    Posted 4/14/2010 by cal
    My review of the Chicago Trey show is up at JamBase. It was kind of a slow-starter, but about halfway through the second set Trey burst into flame. Milwaukee was overall a better show but the highlights in Chicago were on the same level. Read all about it here, and also check out the usual awesomeness that Chad Smith captured with his camera--and this is after security only allowed him to be in the venue for ONE SONG. Read more... Comments (0)
  • My Morning Jacket: Chicago Theatre, 12-28-08

    Posted 1/10/2009 by cal
    For all practical purposes, this run of makeup shows in Chicago could be considered a new year’s event, set apart from the regular tour on the last weekend of the year. An event like this has the potential for greatness or disaster; the band could be a bit rusty having been off tour, but they could also be rejuvenated after a rest, and you know the singer’s voice won’t be blown out from belting it out night after night. Read more... Comments (0)

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