Charlotte Gainsbourg: IRM

Posted 6/2/2010 by cal

Posted in

On the surface, this album sounds like trash heap scraps from Beck’s last several records, pasted together with some British chick singing over top.  Another reason it turned me off was because of two tunes I’d heard on a Flosstradamus mixtape from a couple years back, featuring Charlotte Gainsbourg cooing seductively to atmospheric dance tracks; just seemed perfect, and here was Beck (of all people), trying to twee her up.  Hell, “Heaven Can Wait” is almost all Beck, and not top-flight Beck by any means; sounds like it was left off Mutations for a reason.  Somehow, I’ve still found some reasons to dig this album, though.

Grudgingly, I have to admit that Beck’s leftovers are better than most people’s hot-off-the-grill; it’s just that I’m not used to him recycling, so I feel like Ms. Gainsbourg got the shaft a little bit.  “Trick Pony” might be the weakest track Beck has ever tossed off, and album opener “Master’s Hand” isn’t much better.  I can’t help hearing a lot of these pieces as underdeveloped Guero­-era fragments, and Gainsbourg’s breathy murmur doesn’t necessarily elevate them.

Charlotte occasionally does her best to be the star of the show, but maybe she just doesn’t have that burning desire.  When it works best, as on the stunning “Vanities”, the snappy, fizzy romp “Voyage”, and the hypnotic title track, she’s a force equal to the music, but she still seems to be squeezing herself into a dress someone else picked out.  When she truly stands out, like with her deeply effective barely-a-whisper on “Time Of The Assassins”, or her meticulous wordplay in “La Collectionneuse”, it’s mainly because not much of interest is going on behind her.  She’s at her sexiest on “Le Chat Du Café Des Artistes”, but the music doesn’t move until the end of the song.

Ultimately, I think Charlotte is more effective operating on a nightclub beat or possibly something weirder than what turns up on IRM.  It rarely gets beyond pleasant, but its sweetest moments are worth the immersion it takes for them to grow on you.

Share:

Add your comment

 
 

 

Comments

  • Matthew Krenning's gravatar Matthew Krenning said:
    10/9/2010 11:23 AM

    this album to me feels like a complementary and parallel album to sea change. I really really like sea change so having a lot of those themes addressed again with a female counterpart has made this album one of my favs this year. I agree that some of the tracks are inconsistent but overall i think the whole thing ties together well is and is very ambitious at a lot of points. la collectionnneuse and time of the assassins are both stand-out tracks; agree with you there.

Archive

Tagcloud

MKE Death Blues Jon Mueller Cactus Club McCartney Outside Quarters Follakzoid Psychic Ills Sacred Bones Moss Folk Phish Umphrey's Orpheum Mike Dillon CWM Decibully IfIHadAHifi Championship canyonsofstatic Promise Ring R.I.P. Juniper Tar Claypool Dead Kenny Gs Fiona Apple Ciocarlia Jack White Neurosis Atlas Sound Atlas Moth Radiohead Mission Of Burma Umphreys Altos Brokeback DEJJ White Denim Tame Impala Twin Shadow Sat. Nite Duets Katatonia Zatokrev Sigh Gojira Paradise Lost Shining Daylight Dies Switchblade Blut Aus Nord Wodensthrone Les Discrets The Gathering ITTCT Fear Falls Burning 2012 Swans Open Mike Eagle Godspeed Mount Eerie Anathema Death Grips Baroness Field Report Converge iamamiwhoami Liars Kendrick Lamar Ani The Men of Montreal Frank Ocean Lonerism Animal Collective Grizzly Bear Yeasayer Ariel Pink Dirty Projectors indie Police Teeth Fanfare Ciocarlia Nervous Curtains Bottom Lounge metal Worrier KPRC Catacombz TPDR Mad Planet prog Lotus Plaza indie rock Suckers Lower Dens post punk Hollows Sugar Stems Royal Baths Bear In Heaven Summerfest Smoking Popes Imagine Dragons El Valiente Avett Bros Death Cab BMO Alpine Valley MCA Beastie Boys Burning Sons Northless Lisa Ridgely Garibaldi Turner Hall Hello Death Black Eagle Child Joe Crockett Hotel Foster Call Me Lightning Trapper Schoepp Levon Helm MKE Day Across Tundras Moon Curse Paul Cebar John Sieger Hugh Masterson sviib Sat Nite Duets Semitwang Lincoln Hall Bonnaroo Coachella Pitchfork Lolla Rothbury Forecastle Hangout Summer Camp Sasquatch Wakarusa DMB Chili Peppers SCI Wilco STS9 moe Primus Janes Beck Pretty Lights Bon Iver Bassnectar Thievery MMJ Girl Talk Andrew Bird Sleigh Bells IMP Cloud Nothings Grimes PJ Harvey Metallica Kumas Hot Tuna Pabst Stonefly Deerhunter Drake Loyal Divide J.Viewz Cymbals Eat Guitars Today Is The Day The Roots Elbow Hank 3 Junius Kanye Jay-Z Fucked Up Shabazz Palaces CunninLinguists Grails Destroyer Panda Bear St. Vincent Rosebuds Young Widows Esoteric Russian Circles U2 SC3 Pearl Jam Crappy Dracula Danglers Hue Alpha Transit Riverwest Riverside Anthrax Testament the rave Brief Candles Dick Dale Empty Bottle Chicago pink floyd the wall Fib Seq WMSE Arcade Fire rock Nirvana Rush Opeth RSD Wild Flag av club dreampop gothic King's Horses Terrior Bute yuck dirtbombs garage techno elusive parallelograms arkady ikarus down Trey Summercamp moe. Buckethead barrymore Riviera CML muzzleofbees Lollapalooza PiL Pavement Malkmus Yorke APTBS Future Rock Borg Ward 2010 lists Big Boi Janelle Monae FlyLo The Books Beefheart National Acorn Nicki Minaj M.I.A. Agalloch Broadrick Enslaved Eminem Sufjan GNL Howl Street KGF Fatty Acids Jaill Dusty Medical Dirtnap 88.9 Drugs Dragons Eric & Magill Conrad Plymouth Fibonacci Scarring Party pop experimental Ribot Charleston Congress mgmt dr. dog earl greyhound quasi bone thugs strange boys the knife shows Roger Waters jambase Yes Systemic Torment CoCoB Willy Porter widespread panic umphrey's mcgee ott bluetech big gigantic lotus sub swara zappa plays zappa john butler trio 88Nine Aragon Majestic you-phoria interviews features Thom Yorke STP Miramar albums 2009 Mogwai Madison Festivals films RIP Deer Creek reunions Hampton Atomic RushMor 2008 Chicago Theater BBC kibitzer Linnemans high noon Zeppelin tdmii Schlock 2007 2006 Double Door

Syndication

Recent comments